I know of your good work for the Concurso in Ferrol has been very estimated by the members of the orchestra and by the own Contest, so we are looking forward you stay her during the Ameriaca Program.
Antoni Ros Marba, Chief Conductor Real Filharmonia de Galicia
„He is not only a first rate conductor“
By way of introduction, my name is Edicson Ruiz and I am a member of the Berlin Philharmonic Orchestra as a Kontrabass player.
I am the youngest member in the history of this orchestra, a position I won when I was 17yrs. old.
Should you wish to know more about me ,you will find my CV under Google.
Edicson Ruiz, Kontrabassist bei den Berliner Philharmonikern
„... very gifted and prolific conductor ...“
One aspect of my work as the Repertoire Manager of Deutsche Grammophon from 1978 until my retirement in 1993, was being aware of the younger, talented musicians, who would be the next generation before the public. It was in this capacity that the very gifted and prolific conductor, William Costello came to my attention. What quickly impressed me was his way of quickly establishing a rapport with the orchestra he worked with, his keen analytical insight into a given score and his very convincing interpretative abilities in works of contrasting styles and periods. William Costello would doubtless be a great asset to any orchestra he is associated with.
Alfred Kaine, Repertoire Manager i.R. Deutsche Grammophon
„William is a refreshing combination“
In this age of superficiality, when conductors and soloists often seem to benefit more from their visual appeal than from what they actually have to offer as thinking musicians, William is a refreshing combination: a true music scholar, an enthusiastic communicator, with great physical talents as a conductor, equally at home with large symphony and choral master works, chamber orchestra repertoire, and small contemporary ensemble compositions.
Ronan Lefkowitz, Mitglied des Boston Symphony Orchestra, Violinenprimus des Hawthorne String Quartett
„very high results from the ensembles he has worked with“
The conductor William-Michael Costello has been woking with me for several years now in my capacity as music director of the RSB.
Mr. Costello has proven himself as a very knowledgeable musician who as an orchestra trainer has obtained very high results from the ensembles he has worked with. His guest conducting appearances have been highly praised by critics and orchestras alike.
I find it only fitting to state that as a music director or guest conductor, orchestras and their public can profit immensely from his work. His open and honest approach has endeared him to many an ensemble. Empfehlungsschreiben im Original
Rafael Frühbeck de Burgos, G.M.D. des Rundfunk-Sinfonieorchesters Berlin, der Deutschen Oper Berlin und der Wiener Symphoniker
„sehr sensiblen Sinn“
Er hat einen sehr sensiblen Sinn für Form-Aufbau und Gestalten. Seine präzise Zeichengebung ist besonders hervorzuheben. Sie garantiert u.a. auch eine produktive und effiziente (wenn erforderlich: auch orchestererzieherische) Arbeit mit den Musikern.
Nikolai Badinski, Korresp. Mitglied der Europäischen Akademie der Künste, Wissenschaften und Literatur in Paris
„a remarkably sensitive accompanist“
Mr. Costello and I collaborated extensively when I served as concertmaster of the Sinfonia Chamber Orchestra of Boston, a group that Mr. Costello founded and directed for several years. In the performance of Vivaldi’s „Seasons“, Mozart’s A-major Violin Concerto (K. 219) and Sinfonie Concertante (K. 364), and Beethoven’s Triple Concerto in which I was the violin soloist, Mr. Costello proved to be a remarkably sensitive accompanist. Indeed, while Mr. Costello can be a real showman on the podium, I have always been most impressed by his ability to control an ensemble charged with the difficult task of accompanying a soloist or group of soloists. His impeccable sense for orchestral balance and texture makes him an ideal collaborator.
John Daverio, Chairman, Departement of Musicology, Boston University School for the Arts, Autor von „Nineteenth-Century Music and the German Romantic Ideology“ und „Robert Schumann: Herald of a New Poetic Age“
„a pleasure to play under your conducting“
I am sending You this letter to thank You very much the help and courage You transmitted to all of us, and the work You did with the orchestra; (…)
It was a pleasure to play under your conductin, and all the thins You told me about my playing helped me a lot.
Javier Alonso Sota, Solopaukist Bilbao Symphonie Orchester